An astonishingly intense and ambitious album, Elbow's Cast of Thousands is relentlessly experimental. Having toiled for 10 years over their spellbinding Mercury-nominated debut Asleep in the Back, the maverick Bury five-piece--who were initially hailed as the new Radiohead--have produced a worthy sequel in a comparatively short two years. While mirroring their debut's melancholy ...
Various Positions was Leonard Cohen's first album of the 1980s, yet was in keeping with the rest of his albums in two important respects: one, it sounded absolutely nothing like anything else anyone else was doing; two, it was a compelling reason for anyone else dealing in songs of love and its loss to wonder why they were bothering. As a lyricist, Cohen has few, if any, peers--he has never ...
While it's tempting to position Elbow next to the sardonic likes of Badly Drawn Boy--mainly because of their proximity to the city of Manchester and their way with an acoustic guitar--Asleep In The Back, their frighteningly competent debut album, bears not the joker's smile. Instead, it comes straight from Manchester's simmering, ugly dark side--eleven tracks of rain-sodden misery, blown up ...
Joel and Ethan Coen have long established themselves as film stylists without peer: from Blood Simple to Fargo, their movies have never been less than fascinating, and there has never been any question that their films could not have been made by anyone else. In T-Bone Burnett, the producer of the soundtrack for O Brother, Where Art Thou?, they have finally met their match: ...
Even the production, laden with synthesized strings and cooing female choruses, is wry on I'm Your Man, a definitive Leonard Cohen album. Though still touched with the tragic ("Take This Waltz," based on a Garcia Lorca poem), the album often achieves its high points by combining Cohen's world-weariness with black-humoured evocations of social and romantic ills and artistic quandaries. "I ...