When he was growing up, Andrea Bocelli recalls finding inspiration in a favourite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first major English-language biography of the singer. ...
This is a super performance, slightly outside the common mould. In 1977, when this was recorded, Claudio Abbado was a great opera conductor, filled with sharp insights and a nice sense of the architecture of whole operas. He always seemed to know where he was going, and his ability to build to climaxes was second to none. Abbado has a rather elegant Carmen here in the smallish-voiced, ...
From the exquisite phrasing of the opening orchestra, this recording establishes itself as the standard by which all others should be measured. Herbert von Karajan's orchestra is no less than perfect, as much a virtuostic performer as the singers, evoking each moment's unique mood. Can there be any doubt that Luciano Pavarotti and Mirella Freni were born to sing Puccini? Their sweet, creamy voices ...
Known affectionately as "Salford's answer to Pavarotti," UK classical music singer Russell Watson has proved adept at mixing up his classical repertoire with popular 20th century compositions. On previous albums, Watson has tackled songs by pop artists as diverse as Ultravox ("Vienna") Simon and Garfunkel ("Bridge Over Troubled Waters") and Freddie Mercury ("Barcelona"); but on That's Life ...
The world becomes a better place as Leonard Bernstein conducts his first West Side Story with the abandon, genius, and intimate knowledge of every detail he, as composer, imagined. The crisp orchestra and slower tempos maximize the colours of the orchestral landscape and create magic. This recording falls just one tenor's diction short of perfection. Te Kanawa's scrumptious soprano ...