This is a remarkable release, both for its beauty and its novelty at programming. Für Alina is a two-minute solo piano piece composed by Pärt in l976 that ushered in his "tintinnabuli" style, that is, the bell-like, simple, no-notes-wasted method for which he has become beloved and famous. On this CD, pianist Alexander Malter plays it twice, as the second and fourth tracks; each iteration ...
Decca has gotten around the perennial problem of filling Mozart Piano Concerto CDs by splitting No. 25 between two discs, giving us 155 minutes of Mozart for the price of a single top-line CD. The performances are top-line, too, if you like big-orchestra Mozart. Ashkenazy performs this music in a public, large-auditorium style, without the intimacy or niceties we hear from period instruments or ...
This is a super performance, slightly outside the common mould. In 1977, when this was recorded, Claudio Abbado was a great opera conductor, filled with sharp insights and a nice sense of the architecture of whole operas. He always seemed to know where he was going, and his ability to build to climaxes was second to none. Abbado has a rather elegant Carmen here in the smallish-voiced, ...
At the ripe old age of 19 Mozart wrote five violin concertos, and they represent his coming of age as a composer of orchestral music. From here on, it's basically one masterpiece after another. Though not difficult works, technically speaking, they partake in full measure of Mozart's uniquely sensual brand of melody. That means that successful performances must know how to spin out a singing ...
From the exquisite phrasing of the opening orchestra, this recording establishes itself as the standard by which all others should be measured. Herbert von Karajan's orchestra is no less than perfect, as much a virtuostic performer as the singers, evoking each moment's unique mood. Can there be any doubt that Luciano Pavarotti and Mirella Freni were born to sing Puccini? Their sweet, creamy voices ...