For this Nancy Meyers-directed romantic comedy, Hans Zimmer serves up a breezy score quite different from the more heavy-duty works he's become known for. This may have something to do with the film's tone, of course, but also with the fact that Zimmer has sole credit on only two cues, having co-written the others with members of his extensive stable of helpers, including guitarist Heitor Pereira ...
The songbook is familiar to a generation of theater-goers. Antonio Banderas is at least as good a singer as John Travolta was in Grease. And there are three star turns from the Material Girl--the celebrated "You Must Love Me," as well as "Don't Cry for Me, Argentina," and "Another Suitcase in Another Hall." --Jeff Bateman
Looked at from virtually any angle, this Tosca is a triumph. It is lavishly presented (billed as the Original Motion Picture Soundtrack of Benoit Jacquot's film), superbly engineered and boasts a first-rate cast. There are, indeed, two distinct stars: the outstanding soprano Angela Gheorghiu in an assumption of the title role which is awe-inspiring in its breadth of emotion and dramatic ...
A film about classical music and mental illness would normally be a box-office disaster. Yet such was the life-affirming brilliance of director Scott Hicks Shine, the true story of Australian pianist David Helfgott's battle against mental breakdown and his self-expression through Rachmaninov's Piano Concerto No. 3, that the film found an adoring audience. Composer David Hirschfelder faced ...
Based on the inherently musical novel by Louis de Bernières, Stephen Warbeck's score for the film version of Captain Corelli's Mandolin is filled with Mediterranean colours and built around his yearningly beautiful "Pelagia's Song". Warbeck, who won an Oscar for Shakespeare in Love, his previous collaboration with director John Madden, wrote parts of the score before shooting began, ...