Michael Nyman came of age as a classical composer in the radical London of the late '60s. His work embraces multiple vernaculars (jazz, avant garde, conceptual art) and helped cement the foundation of what came to be known as minimalism. Decades into his career, Nyman's score to Jane Campion's film The Piano made him a star. The movie's themes of colonialism and silence (its protagonist, ...
Whoever first dreamt up the title "The Only Piano/Opera/Banjo Album You'll Ever Need" must have been hoping record buyers wouldn't take it too literally. A translation would be "We Hope That When You've Listened To This You'll Want To Buy Lots More Piano/Opera/Banjo Albums". So as an attempt to lure listeners into the world of the piano, how does this set measure up? Most of the all-time favourite ...
Decca has gotten around the perennial problem of filling Mozart Piano Concerto CDs by splitting No. 25 between two discs, giving us 155 minutes of Mozart for the price of a single top-line CD. The performances are top-line, too, if you like big-orchestra Mozart. Ashkenazy performs this music in a public, large-auditorium style, without the intimacy or niceties we hear from period instruments or ...