A high point of Hitchcock's pre-Hollywood career, 1935's The Thirty-Nine Steps is the first and best of three film versions of John Buchann's rather stiff novel. Robert Donat plays the rancher embroiled in a plot to steal British military secrets. He finds himself on the run; falsely accused of murder, while also pursuing the dastardly web of spies alluded to in the title. With a plot whose ...
A strong candidate for possibly the most entertaining and enjoyable film ever made by a Hollywood studio, North by Northwest is positioned between the much heavier and more profoundly disturbing Vertigo (1958) and the stark horror of Psycho (1960). In the corpus of Alfred Hitchcock films it shows the director at his most effervescent in a romantic comedy-thriller that also ...
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbours. Cheerful voyeurism, as well as the behaviour ...
Dreamlike and nightmarishly surreal, Vertigo is Hitchcock's most personal film because it confronts many of the convoluted psychological issues that haunted and fascinated the director. The psychological complexity and the stark truthfulness of their rampant emotions keeps these strangely obsessive characters alive on screen, and Hitchcock understood better than most their barely repressed ...
Vacationing in northern California, Alfred Hitchcock was struck by a story in a Santa Cruz newspaper: "Seabird Invasion Hits Coastal Homes". From this peculiar incident, and his memory of a short story by Daphne du Maurier, the master of suspense created one of his strangest and most terrifying films. The Birds follows a chic blonde, Melanie Daniels (Tippi Hedren), as she travels to the ...
When it premiered on CBS on October 2, 1955, Alfred Hitchcock Presents was an instant hit destined for long-term popularity. The series' original half-hour anthology format provided a perfect showcase for stories of mystery, suspense, and the macabre that reflected Hitchcock's established persona. Every Sunday at 9:30 p.m., the series began with the familiar theme of Gounod's "Funeral March ...