Longing for a romantic Hollywood film that will make your heart leap but not have you reaching for the sick bucket? Try Benny & Joon. Few mainstream US films manage to walk the thin line between emotion and schmaltz, but here is one film that pulls it off admirably. In the wrong hands the concept of marrying love and mental illness could have been a disaster but, as with the low-budget ...
Actor Griffin Dunne improves a bit on his first film as a director, Addicted to Love, with this drama-comedy about a family of witches. Nicole Kidman and Sandra Bullock play spell-casting sisters of different temperaments: the former is a high-living, free-spirited sort, while Bullock's character is a homebody who can't get around a family curse that kills the men in their lives. A widowed ...
Let's be honest: this should be titled Wretched Excess' Frankenstein. Swooping, wild, bloody, and energetic, this is bad moviemaking from the best, which makes it all the more loveable. Kenneth Branagh plays Victor Frankenstein, a man so obsessed with conquering death that he decides to create life. What he gets, after a protoplasmic mud wrestle, is a Mean Streets monster (Robert De Niro) ...
A box-office hit when released in 1994, this sprawling, frequently overwrought familial melodrama may get sillier as its plot progresses, but it's the kind of lusty, character-based epic that Hollywood should attempt more often. It's also an unabashedly flattering star vehicle for Brad Pitt as Tristan--the rebellious middle son of a fiercely independent Montana rancher and military veteran ...
This likeable, feminist screwball comedy about several incidents of mistaken identity is remembered more as the film that made Madonna a movie star. She's flip, hip and energetic as Susan, the wild tramp with whom bored, suburban New Jersey housewife Roberta Glass (Rosanna Arquette) becomes obsessed after reading of her sexual conquests in the personal ads. Of course, since Madonna essentially ...
Evelyn sees Pierce Brosnan return to his native Ireland for a lightweight drama set in early 1950s Dublin. He plays the working-class Desmond Doyle, whose children, including the titular Evelyn, are taken into the unwanted care of the Catholic church when his wife leaves him. Doyle challenges the might of Church and State in the courts, and in the process threatens to change Ireland's legal ...
Roland Joffé (The Killing Fields) directs this fuzzy effort at a David Lean-like epic without David Lean's sense of emotional proportion. Lean's most important screenwriting collaborator, Robert Bolt, in fact wrote The Mission, which concerns a Jesuit missionary (Jeremy Irons) who establishes a church in the hostile jungles of Brazil and then finds his work threatened by greed and ...