Snatch, the follow-up to the Guy Ritchie's breakthrough film--the high-energy, expletive-strewn cockney-gangster movie Lock, Stock and Two Smoking Barrels--hardly breaks new ground being, well, another high-energy, expletive-strewn cockney-gangster movie. Okay, so there are some differences. This time around our low-rent hoodlums are battling over dodgy fights and stolen ...
Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches but his charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well-meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A ...
More than half a century after its release in 1950, Sunset Boulevard is still the most pungently unflattering portrait of Hollywood ever committed to celluloid. Billy Wilder, unequalled at combining a literate, sulphurous script with taut direction, hits his target relentlessly. The humour--and the film is rich in this, Wilder's most abundant commodity--is black indeed. Sunset ...
The chemistry between Fred Astaire and Ginger Rogers was still going strong in their seventh spin around the dance floor, Shall We Dance? And this time--amid the usual improbable plot confusions and on-again, off-again flirting between the two, they were backed up by a song score provided by the matchless George and Ira Gershwin. Among the highlights are "They All Laughed", "Let's Call the ...
Sidney Poitier directed (sadly without much distinction) this 1980 comedy teaming Gene Wilder and Richard Pryor as New York knuckleheads who try their luck in California and are accused of robbing a bank. Most of the laughs concern their survival strategies in prison (at one point, Wilder decides to "reach out and talk" to some hulking murderer) and their plans to escape. Both performers are so ...