Hoodlum, Bill Duke's interesting but flawed blaxploitation take on the classic gangster movie, usefully redresses a balance. It is all too easy to see the criminal underworld of the 1920s as an all-white affair, in which Harlem is an exotic locale where occasionally white gangsters patronise the black performers of the Cotton Club, from which black audiences were specifically barred. Yet ...
Hoodlum, Bill Duke's interesting but flawed blaxploitation take on the classic gangster movie, usefully redresses a balance. It is all too easy to see the criminal underworld of the 1920s as an all-white affair, in which Harlem is an exotic locale where occasionally white gangsters patronise the black performers of the Cotton Club, from which black audiences were specifically barred. Yet ...
Hoodlum, Bill Duke's interesting but flawed blaxploitation take on the classic gangster movie, usefully redresses a balance. It is all too easy to see the criminal underworld of the 1920s as an all-white affair, in which Harlem is an exotic locale where occasionally white gangsters patronise the black performers of the Cotton Club, from which black audiences were specifically barred. Yet ...