After the Lord of the Rings trilogy, Elijah Wood could've opted for further big budget epics, but took a sharp left turn with this better-than-average B-movie. Released just after Everything is Illuminated, another offbeat entry, Wood plays journalism student Matt Buckner. In the prologue, he's expelled from Harvard when his over-privileged roommate sets him up to take the fall for ...
Meet Joe Black seemed almost fated to fail when it was released in 1998, but this romantic fantasy--a remake of 1934's Death Takes a Holiday--deserves a chance at life after box-office death. Although many moviegoers were turned off by director Martin Brest's overindulgent three-hour running time, those who gear into its deliberate pace will find that Meet Joe Black offers ...
In director Michael Bay's filmography, The Rock came between his high-octane debut Bad Boys and 1998's Armageddon, and consolidated his dubious reputation as the purveyor of crowd-pleasing action extravaganzas. Here, a psychotically disgruntled war hero (Ed Harris) seizes the island prison of Alcatraz and threatens to wage chemical warfare against nearby San Francisco unless ...
The "sophmore jinx" hit hard for this second film by Kevin Smith, whose debut Clerks transcended the limits of its setting and budget to become memorably funny and a cult classic. (Smith followed Mallrats with the wonderful Chasing Amy, only to be cursed again with the appalling Dogma. Clearly he's settling into the same one-off rhythm that afflicts the Star Trek ...
In his writing and directorial debut, Julian Schnabel's film Basquiat depicts the life of graffiti artist Jean-Michel Basquiat, aka SAMO, and the turbulent period from the late 1970s to 1988, as his life was catapulted into fame and notoriety. As Jean-Michel's work gained favourable attention from New York's elite art community, he went from a street punk living in a cardboard box to the ...