Meet Joe Black seemed almost fated to fail when it was released in 1998, but this romantic fantasy--a remake of 1934's Death Takes a Holiday--deserves a chance at life after box-office death. Although many moviegoers were turned off by director Martin Brest's overindulgent three-hour running time, those who gear into its deliberate pace will find that Meet Joe Black offers ...
Sir Anthony Hopkins trots out another psycho you'll hate to love in Fracture, a by-the-numbers legal thriller that's redeemed by electric performances from its two leads. Hopkins is on fine accent-bending, twinkle-eyed form as aeronautics engineer Ted Crawford, who has devised the perfect way to bump off his cheating wife. Ryan Gosling positively crackles as Willy Beachum, the cocky public ...
Considering Good Night and Good Luck is only the second time he's stepped behind the camera, George Clooney has already marked his card as a director of real talent to watch. He also acts in this particular film, but generously leaves centre stage to the superb David Strathairn.Set in the 1950s and based on true events, Strathairn plays news reporter Edward R. Murrow, who finds himself ...
Pitch Black is a guilty pleasure that surpasses expectations, even though it owes a major debt to Alien and its cinematic spawn. As he did with The Arrival, director David Twohy revitalises a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while ...
Dakota Fanning--the elfin star of Uptown Girls, The Cat in the Hat, and Man on Fire--trades in her blond locks for a semi-gothic brunette do in Hide and Seek. Fanning plays Emily, a young girl whose mother commits suicide. To help Emily through the trauma, her father David (Robert DeNiro), a psychologist, takes her to an isolated house in upstate New York. But instead ...