The 2003 version of The Texas Chainsaw Massacre adheres to the pure-and-simple slasher-movie formula: introduce a gaggle of sexy young people, make vague gestures to distinguish them--Jessica Biel wants to get married and doesn't like pot, so she's our moral compass--then start hacking them to pieces one by one. The visual palette includes grimy crucified dolls, fly-specked pig carcasses, ...
If you can pull the 2003 film version of The Singing Detective out from under the long shadow cast by the acclaimed 1986 miniseries, Keith Gordon's 109-minute film version achieves its own distinction. It was a daring (and some might say foolhardy) assignment to film Dennis Potter's screenplay, written out of Potter's desire to see his semi-autobiographical drama in feature-length form, but ...
An unexpected marriage of big-budget production values and low-budget instincts, The Ring offers chills to be savoured. Usually when Hollywood indulges its cash-hungry game of remaking foreign films the result sacrifices much of what made the original so special. Clearly, the supremely eerie supernatural vibe that permeated the legendary 1998 Japanese horror film must have done something to ...
Bounce has all the deft charm and breezy good looks you'd expect from a romance starring Ben Affleck and Gwyneth Paltrow, but under the surface beats the poisoned heart of an independent film just going through the motions. Affleck plays Buddy Amaral, a successful ad exec with an empty life. In a Chicago airport, he meets Greg Janello (Tony Goldwyn), a failed playwright going home to his ...
The 2003 version of The Texas Chainsaw Massacre adheres to the pure-and-simple slasher-movie formula: introduce a gaggle of sexy young people, make vague gestures to distinguish them--Jessica Biel wants to get married and doesn't like pot, so she's our moral compass--then start hacking them to pieces one by one. The visual palette includes grimy crucified dolls, fly-specked pig carcasses, ...
If you can pull the 2003 film version of The Singing Detective out from under the long shadow cast by the acclaimed 1986 miniseries, Keith Gordon's 109-minute film version achieves its own distinction. It was a daring (and some might say foolhardy) assignment to film Dennis Potter's screenplay, written out of Potter's desire to see his semi-autobiographical drama in feature-length form, but ...