John Travolta is Vic Deakins, a bomber pilot who launches a devilish plan to hijack two nuclear missiles for big-time extortion. Vic never sweats, spews out great one-liners, knocks off money men with glee, toys with killing half a million people ... he even smokes!If you giggled at his "Ain't it cool" line from the trailer, you're in the right frame of mind for this comedic action film. Never ...
John Travolta is Vic Deakins, a bomber pilot who launches a devilish plan to hijack two nuclear missiles for big-time extortion. Vic never sweats, spews out great one-liners, knocks off money men with glee, toys with killing half a million people ... he even smokes!If you giggled at his "Ain't it cool" line from the trailer, you're in the right frame of mind for this comedic action film. Never ...
When it comes to ramping up to vein-bursting levels of tormented anxiety , Mel Gibson has a kind of mainstream intensity that makes him perfect for his heroic-father role in director Ron Howard's child-kidnapping thriller. When you think of Ransom, you automatically think of the scene in which Mel reaches his boiling point and yells, "Give me back my son!" to the kidnapper on the other end ...
John Travolta is the standout in this somewhat cartoonish adaptation of Elmore Leonard's novel about a smalltime Miami enforcer (Travolta) who decides to get into the movie business in LA. The cast sparkles--Gene Hackman as a failing cut-rate-movie producer, Rene Russo as a failed actress, Danny DeVito as a vain thespian, Delroy Lindo as a mobster who wants a cut of Travolta's film action--and the ...
When it comes to ramping up to vein-bursting levels of tormented anxiety , Mel Gibson has a kind of mainstream intensity that makes him perfect for his heroic-father role in director Ron Howard's child-kidnapping thriller. When you think of Ransom, you automatically think of the scene in which Mel reaches his boiling point and yells, "Give me back my son!" to the kidnapper on the other end ...
There can be few better ways reminding oneself of the key elements in late 1990s left-of-centre Hollywood than watching Feeling Minnesota. The film attempts to draw together most of the main themes from the post-Pulp Fiction world into one whole. The story--young lovers Freddie and Jjacks (sic) on the run from a criminal past--is pure True Romance, with an attempt to throw in ...
This is a surprising disappointment, considering it is the third film from director Danny Boyle, writer John Hodge and actor Ewan McGregor. This disjointed and strained romantic comedy is not even near the same league as Trainspotting and Shallow Grave. Cameron Diaz is a spoiled heiress and McGregor an aimless janitor brought together by two angels (Holly Hunter and Delroy Lindo) ...
In adapting his own novel The Cider House Rules for the screen, John Irving sacrificed at least some of the depth and detail that made his humanitarian themes resonate, while the film--directed with Scandinavian sobriety by Lasse Hallström--is often vague about the complex issues (abortion, incest, responsibility) that lie at its core. Allowing for this ambiguity (which is arguably ...