Contains the three great Clint Eastwood Spaghetti Westerns: A Fistful Of Dollars; For A Few Dollars More and The Good, The Bad And The Ugly as well as Hang 'Em High. Sergio Leone's trilogy of operatic spaghetti Westerns with Clint Eastwood made the former TV star into an international sensation as the scraggly, silent Man with No Name, a wandering rogue with a ...
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it was his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair but from this insanity ...
It was directed with energetic skill by Top Gun Tony Scott, but this breathtaking 1993 thriller (think of it as an adolescent crime fantasy on steroids) has Quentin Tarantino written all over it. True Romance is really part of a loose trilogy that includes Reservoir Dogs and Pulp Fiction, with a crackling Tarantino screenplay that rides a fine line between raucous ...
This box-office hit from 1969 is an important pioneer of the American independent cinema movement, and a generational touchstone to boot. Peter Fonda and Dennis Hopper play hippie motorcyclists crossing the Southwest and encountering a crazy quilt of good and bad people. Jack Nicholson turns up in a significant role as an attorney who joins their quest for awhile and articulates society's problem ...
Let's be honest: this 1995 epic isn't nearly as bad as its negative publicity led us to expect. At the time, Waterworld was the most expensive Hollywood production in history (it had a Titanic-sized 200 million US dollars budget), and the film arrived in cinemas with so much controversy and negative gossip that it was an easy target for ridicule. The movie itself, a flawed but ...
Everything clicked in this 1994 action hit, from the premise (a city bus has to keep moving at 50 mph or blow up) to the two leads (the usually inscrutable Keanu Reeves and the cute-as-a-button Sandra Bullock) to the villain (Dennis Hopper in psycho mode) to the director (Jan De Bont, who made this film hit the ground running with an edge-of-your-seat opening sequence on a broken elevator). This ...