A triumphant return for DCI Gene Hunt, Ashes To Ashes takes some of the characters from the superb time-shifting police drama Life On Mars, and moves the action to the early 1980s. So it's out with the Cortina, in with the Audi Quattro, and straight down to some terrific television. Joining DCI Hunt -- again played with terrific force and stature by Philip Glenister -- is Keeley ...
A cheerful, energetic, and completely entertaining movie, The Bank Job follows some small-time hoods who think they've lucked into a big-time opportunity when they learn a bank's security system will be temporarily suspended--little suspecting that they're being manipulated by government agents for their own ends. The result is that the movie doubles its pleasures: While the robbery itself ...
Given the great success of Pride and Prejudice (1995) and that Jane Austen wrote so little, the BBC and screenwriter Andrew Davies looked elsewhere for material of comparable quality. Wives and Daughters by Mrs (Elizabeth) Gaskell is set around 1860 and tells the story of 17-year-old Molly (Justine Waddell), beloved daughter of the widowed Dr Gibson (Bill Paterson). A mercenary ...
Dickens was the master of Victorian social satire, ruthlessly exposing the cruelty and absurdity that supported the strictly hierarchical class-structure of the day. This superb production of Our Mutual Friend does full justice to his darkest, most complex novel, fleshing out the satirical bones of the plot with performances that eschew caricature in favour of psychological depth. Anna ...
Screenwriter Andrew Davies describes Tipping the Velvet, his adaptation of Sarah Waters's acclaimed novel of lesbian love, betrayal and redemption in Victorian England, as "Pride and Prejudice with dirty bits". This three-part BBC production chronicles with relish the story of Nan Astley (Rachael Stirling, the ravishing image of her mother, Diana Rigg), barely 18, and certain that ...
Michael Winterbottom is no stranger to literary adaptation. Both Jude and The Claim were drawn from works by Thomas Hardy. Nor is the versatile filmmaker a stranger to the post-modern romp, like 24 Hour Party People. In that peon to Manchester's music scene, Steve Coogan was Factory honcho Tony Wilson. In Winterbottom's take on Laurence Sterne's digressive The Life and ...