With The Believer, his first film as director, screenwriter Henry Bean wastes no time in going for the jugular. In the opening scene a timid Yeshiva student is chased off a New York subway train, racially abused and savagely beaten up by a ranting skinhead, and from then on in the level of hatred and violence rarely abates. But the passion that fuels the film is as much psychological as ...
With The Believer, his first film as director, screenwriter Henry Bean wastes no time in going for the jugular. In the opening scene a timid Yeshiva student is chased off a New York subway train, racially abused and savagely beaten up by a ranting skinhead, and from then on in the level of hatred and violence rarely abates. But the passion that fuels the film is as much psychological as ...