The most unlikely of stars, sixty-something Seasick Steve Wold might have started out with nothin', but these days he can headline the Royal Albert Hall. The second solo album from the much travelled bluesman (and, let's not forget, studio owner--he didn't suddenly step off a boxcar with a demo tape in hand--refines the sound that made 2006's Dog House Music so instantly appealing. Guests ...
Manufacturer: Warner
Seasick Steve is Steve Wold, a moustachioed American bluesman who, on Dog House Music, plays American roots music with the tight-belt economy and authentic spirit of the genre's originators (there's a lineage here, too - Steve was taught his first chords by Delta bluesman KC Douglas). A long-term street-dweller, Wold's instrumentation is simplistic in the extreme: a three-stringed trance ...
Manufacturer: Bronzerat
Joel and Ethan Coen have long established themselves as film stylists without peer: from Blood Simple to Fargo, their movies have never been less than fascinating, and there has never been any question that their films could not have been made by anyone else. In T-Bone Burnett, the producer of the soundtrack for O Brother, Where Art Thou?, they have finally met their match: ...
Manufacturer: Mercury Records Ltd (London)
Manufacturer: Time Life
Manufacturer: Island/American/Columbia/Legacy
On first thought, the idea of the Man in Black recording such covers as "Bridge over Troubled Water", "Danny Boy" and "The First Time Ever I Saw Your Face" might seem odd, even for an artist who's been able to put his personal stamp on just about everything. But The Man Comes Around, which also draws on Cash's original songs as well as those by Nine Inch Nails ("Hurt"), Sting ("I Hung My ...
Manufacturer: Sonybmg
The ethical questions surrounding this final album in the American Recordings series are as unavoidable as they are, ultimately, peripheral. While the vocal tracks were recorded in the months just prior to Johnny Cash's passing in September 2003, the arrangements weren't undertaken until two years later. And though producer Rick Rubin had become a trusted friend, the Man in Black wasn't ...
Johnny Cash had been breaking new ground for a decade when At Folsom Prison suddenly made the world at large take notice. The interaction of a volatile prison population starved for entertainment and a desperately on-form Johnny Cash was electrifying: his somber machismo finally found a home. The songs, which included every prison song Cash knew ("I Got Stripes", "The Wall", "25 Minutes ...
