In 1988, REM were a cult on the cusp of major success. In 1992 they were somewhere close to being the biggest band in the world. In 2003, they're marginalised again, a middle-aged institution purportedly on the wane. Still, uninformed listeners to In Time might find it tricky to work out which songs come from which era. The 18 singles collected here in non-chronological order show a band ...
With all the media hype that dogged the Strokes before the release of their debut album, it's rather apt that they chose the title Is This It?. On the strength of just five songs, released over two singles, the Strokes were being hailed as everything from the saviours of rock & roll to the Saviour Himself. Surely, few bands could live up to the impossibly high standards set for this young ...
Overwhelmed by sudden success, Nirvana promised to take a harsher, more abrasive route on their second major-label release. Enlisting Chicago-based noise maven Steve Albini (of Big Black fame), Kurt Cobain and company succeeded in producing a record that was violent, disillusioned, and deeply moving. Every song reads like a commentary on the cost of fame ("Serve the Servants") and the unhealthy ...
It's amazing the difference a year makes. Upon its release, August and Everything After sounded remarkably fresh, a welcome change from the crunch and screech of grunge. Blending the vocal athleticism of Van Morrison with the moody rock of The Band, the Counting Crows turned on a whole legion of fans turned off by modern rock. But what sounded fresh soon became stale as dozens of bands ...
Punk had flirted with mainstream attention before--the Clash and Sex Pistols had hits--but didn't fully advance from the underground until this pure-punk 1994 album. In singing catchy, tight rock & roll tunes--including "Longview", "Welcome to Paradise" and "When I Come Around"--Green Day sneered its way into the hearts of millions. The Berkeley, California, trio also ignited a debate: Is it ...
Not quite as flawless as a masterpiece should be--what's the slight "New Orleans Instrumental No. 1" doing among such remarkably grounded material?--Automatic For The People still deserves its reputation as one of REM's best. Another link in the band's chain of 90's classics, it hits each mood--the glum teen-spirit report of "Drive", the sensual wash of "Star Me Kitten" and the gorgeously ...
With valuable assistance from producer Rick Rubin, the Peppers find just the right blend of punk, funk, and hip-hop. Even with a running time of 74 minutes, this 1991 breakthrough has continuity and cohesion both within and across the 17 cuts. Riding Flea's surging bass, Anthony Kiedis delivers his explicit lyrics with a rapper's flair, extolling the virtues (and outlining the dangers) of sex and ...
When the Velvets recorded this debut, they were best known as the protégés of Andy Warhol (who designed the sleeve), and as a grating, combustible live band. Fuelled by drummer Moe Tucker's no-nonsense wham and John Cale's howling viola, some of the straight-up rock & roll and arty noise extravaganzas here bear that out. But before Lou Reed was singing about sadomasochism and drug deals and ...
Just what is it that you do when the world catches up with you? Dave Grohl's pre-Foo Fighters career was about rebellion and breaking moulds, whether it was in Washington DC hardcore bands (Mission Impossible, Scream) or in Nirvana. When he stepped out from behind the drum kit and put out Foo Fighters, Grohl revealed a nifty knack for a tune and great ear for a guitar riff (and the ...