Who would have thought it? Nobody, that's who. The last time African music enjoyed any meaningful dalliance with the Western mainstream it was under Paul Simon's patronage with his peerless 1986 album Graceland. That's if you don't count Damon Albarn's extra curricular indulgences (which you don't). The last place we expected it to turn up again was from four New York kids who otherwise ...
Anyone looking for the key to ABBA's enduring appeal should look no further than "Voulez Vous" and "Gimme! Gimme! Gimme! (A Man After Midnight)" for their answer. There was an innocence to the Swedish quartet, even when they were singing about one-night stands and the invitations to them. Gold establishes that the band, while appreciated as campy, were actually multifaceted in their ...
Glasvegas are a four-piece from Glasgow - the latest band to be championed by industry mogul Alan McGee, the man that "discovered" Oasis. Despite the inevitable hyperbole that has followed McGee's proclamation of the band, Glasvegas more than deliver on their early promise with this eponymous debut album. The quartet already showcased their earthy wit and sonic ambitions on singles such as ...
Subtitled "Rare and Unreleased 1989-2006", Tell Tale Signs, the eighth of Dylan's long running Bootleg series of officially approved outtakes, comes in two formats. The two-disc version consists of 27 tracks, including alternate versions of songs from his last three studio sets: Oh Mercy, Time out of Mind and Modern Times. Even non-obsessives will be seduced by the ...
No one ever managed to nail aimless suburban alienation quite like The Cure, so sensitive yet so party-hearty, and 4:13 Dream, their thirteenth studio album and first in four years, lands in a musical landscape presently infested with their descendents. Yet Robert Smith and his old blokes can still show the young shavers how it's done even as they enter their fourth decade as a working ...
In a career spanning four decades Steveland Judkins Morris has been many things: child star, funk hero, political chronicler, the saviour of Motown Records and depressingly, the instigator of the painfully schmaltzy R&B ballad. Thankfully, this exhaustive "Best Of...", timed to commemorate the 40th anniversary of his first appearance as Little Stevie Wonder, focuses mainly on the 1966-1980 glory ...