Inspired by the lovable Saturday Night Live white-boy blues schtick of Dan Aykroyd and John Belushi, director John Landis seemingly threw every harebrained stunt he could imagine--and millions of dollars in production costs and wrecked autos--onto the screen. The resulting film could have been mistaken for a bad case of Hunter S Thompson's DT's, but Landis never shortchanged the music: Cab ...
Fresh Cream, the album that introduced this seminal super-blues trio to America, was perhaps a bit too blues-based to do the advance hype ("Clapton is God!") justice. Two of its three best-known tracks, after all, were blues covers; it was Disraeli Gears that turned Cream into a "supergroup." Here they pursue the psychedelic ideals of the era with total abandon (the LP cover art ...
This 1975 release came smack in the middle of a long and nearly mythic career. Physical Graffiti is the last great Led Zeppelin title, recorded before the influences of the day (synthesizers, disco) ended Zeppelin's reign as the kings of loud and sexy blues-metal. Playfully experimenting with new sounds, the band blended Middle Eastern rhythms, folk-stylings, heavy blues, and deeply ...