If The Feeling's slick high-crime pilfering of 70's AOR is missing anything in particular--and they do run a tight operation--then it's a bit of throttle, a hint of recklessness, if that's not too much of a contradiction in terms. Enter London-based trio The Hoosiers, who pogo like un-caged kids on Saturday morning TV hooked up to McFlurry drips, dancing to Twelve Stops and Home on ...
Having achieved the improbable by redeeming traditional soft rock as a chart-friendly genre, are the London quintet challenging their audience a touch too much by titling their second album Join with Us? After all, wasn't recasting the terminally unfashionable likes of Supertramp and other so-called 'guilty pleasures' already a rather big ask? But it transpires that Dan Gillespie Sells and ...
Proclaiming his intentions with "Are You Ready for the Country?", Young detoured briefly to the Nashville mainstream. On this 1972 album, even the singer's acquired-taste voice comes across smooth and beautiful--the smash "Heart of Gold", with steel guitars and Linda Ronstadt's backup vocals, is by far Young's most commercial-sounding song. His usual dissonant touches, like the otherworldly guitar ...
Icelandic-Italian singer Emiliana Torrini has achieved much, but gained comparatively little, off the back of a career that has blossomed in a nook out of the mainstream's line-of-sight for over a decade. She's been a voice for hire for dance acts aplenty (Paul Oakenfold, Thievery Corporation), was the lungs behind the sky-reaching "Gollum's Song" in Lord of the Rings: The Two Towers and ...
How do you follow a debut record that achieved out-of-the-blue grandeur on its way to selling a quarter of a million copies? For Maine's Ray LaMontagne, it's all about shaking up the formula, evading repetition and delivering the unexpected. Till the Sun Turns Black finds the introspective singer/songwriter complementing his folk-country ways with traces of strings and horns and spooky ...
The Electric Light Orchestra were one of the biggest and most successful bands of the late 1970s, producing a massive string of hit singles and albums that almost any other band would envy. Their works have been cited as influences by such hip acts as Grandaddy and Super Furry Animals. Their frontman and leader Jeff Lynne has been the producer of choice for people like Paul McCartney, Tom Petty ...
Since 2002's jaunty Waiting for My Rocket to Come, Jason Mraz has developed into a more mature, well-rounded pop artist. We Sing, We Dance, We Steal Things is his most multi-dimensional work yet, covering everything from groove-based material to ballads. While tracks such as "Make It Mine" and "Butterfly" refer back to the catchy style of previous albums, there are many other styles ...
Dig!!! Lazarus Dig!!! finds Nick Cave back at the helm of his long-term band The Bad Seeds after some impressive soundtrack work--2005's The Assassination of Jesse James--and a busman's holiday in the raw, rocking Grinderman. As the title suggests, Lazarus finds Cave returning to familiar themes of God and redemption, although some of the raw poise and wild-eyed humour that ...