The two-disc retrospective The Essential Leonard Cohen traces the Canadian bard's musical maturity from poet and novelist who sang a little, to multidimensional artist whose oracular vocals and increasingly rich arrangements are every bit as compelling as his verse. Even when Cohen came to prominence through the 1960s songcraft of "Suzanne" and "Bird on a Wire", the "folksinger" tag never ...
The Killers might hail from one of the USA's most quintessentially American cities (Las Vegas), but their debut album Hot Fuss displays an Anglophilic streak that is an ocean wide. Steeped in the back-catalogue of the Smiths and Pulp, with broad 80s synth sweeps cloaking each tale of fraught metrosexual romance, this band clearly rate the swoon over the swagger. Still, this is almost ...
It's been a long ten years since Take That disbanded. Their recent reformation and world tour offered overwhelming evidence that, far from being forgotten, the post-Robbie quartet can still command hysterical amounts of goodwill and adoration. Beautiful World illustrates why this is so. Written in conjunction with songwriter/producer John Shanks (Ashlee Simpson, Anastacia, Alanis ...
Led Zeppelin frontman Robert Plant and bluegrass crooner Alison Krauss may not be the likeliest of musical combinations. But on this welcome collaboration album, they work beautifully together, wringing a kind of magic from other people's songs. The key to the album is its versatility. Between them, Krauss and Plant can handle a vast repertoire on their own, and here they take on the lot, from ...
Seventh Tree unveils an Alison Goldfrapp quite different to the one we saw on her career highpoint to date, 2005's Supernature. Whereas that album was grandiose, glammy, and almost aggressive in its brash, thrusting sexuality, Goldfrapp's fourth album is no less sensual, but rather more subtle in its approach. Recorded with longtime collaborator Will Gregory out in rural Somerset, ...
It's hard to imagine someone even younger than 19-year-old Laura Marling making a splash on the music scene, but 16-year-old Australian singer Gabriella Cilmi is doing a pretty good job. Having smashed apart stereotypes of innocence with her killer single "(There's Nothing) Sweet About Me", Cilmi (pronounced "Chill Me") now offers a debut that's not only lyrically and emotionally mature, but ...