With Dummy, their 1994 debut, Portishead not only created a classic of turntable-derived soul, but defined their sound so exhaustively as to spawn a host of imitators. So what to do for a follow-up? As it happened, the answer was simple--refine the template. This self-titled album simply ups the ante on everything that made their debut so special: the brooding sense of menace, that deep ...
As if answering the challenge of those who dismiss them as a cartoonish joke, Slipknot claim that Iowa is a statement of intent, a real heavy-metal album. As percussionist Shawn Crahan puts it: "We're able to cut into the wound, crawl inside, stitch it up ourselves and fester in the f***ing hurt". And right from the introductory shriek and grind "of (515)", you know they're deadly serious. ...
Best-known--and reviled, by many hardcore headz--as the man who set a rap to a tune from Annie, that notorious tale of life in the 'hood ("Hard Knock Life"), Jay-Z clearly decided some time ago that amassing the Benjamins came before keeping it real, in the greater scheme of things. Still, even his harshest critics might be somewhat placated by the re-issue of this, his first album, which ...
Will The Cool, the second album from Lupe Fiasco, do what his first couldn't and make this Chicago rap prodigy a star? If the answer must be no, maybe it's just because Lupe's too far ahead of the competition. The Cool gets off to a bit of a bumpy start--"Go Go Gadget Flow" shows off Lupe's quick-lips vocal talents, but it's a bit slight content-wise, while "Superstar" reaches for ...