Vocally the women stand out much stronger than the men, from Lea Salonga's exquisite performance throughout ("I'd Give My Life for You", "The Revelation"), to Clare Moore's impassioned duet and solo work ("I Still Believe" and "Her or Me"), to the chorus of bar girls ("The Movie in My Mind"). The male singers are surely adequate, but not especially memorable, except of course for Jonathan Pryce's star turn as the Engineer ("The American Dream"). My favorite pieces in the show tend to be the duets: Kim and Chris in "The Last Night of the World," Kim and Ellen in "I Still Believe," Kim and John in "Please." Emotionally the show contains more punch than the more celebrated "Les Miserable" by Boubill and Schonberg, made all the more effective because of the way a key chunk of the story (how Kim and Chris got seprated during "The Fall of Saigon") is not revealed until Act 2 when it comes in between the soaring optimism of Kim finding out Chris is in Bangkok ("Please") and the shattering revelation of his marriage to Ellen ("Room 317"). Even without seeing the famous helicopter scene on stage, this is an emotionally draining sequence of songs. "Miss Saigon" is closing on Broadway soon, but even if you never get to see it on stage, just listening to it will still give you chills and drive you to tears.