Here's the problem that faced Jack Black and Kyle Gass when it came to making The Pick Of Destiny: how do you top your last effort, 2001's self-titled debut, when it contained the tale of how you wrote (and then forgot) "the best song in the world" ("Tribute")? A toughie, but if you're megalomaniacal comedy-rock duo Tenacious D, anything is possible - even if it contravenes plain logic and ...
Elton John doesn't seem like a natural choice to write for a Disney musical, but he rose to the task on The Lion King, transcending his usual penchant for the softest of soft rock. Sir Elton's collaboration with Tim Rice (former writing partner of Andrew Lloyd Webber) helps connect the soundtrack to the theatrical lineage of all Disney musicals--so much so that, like Beauty and the ...
No matter whether or not you think Sylvester Stallone should have gone back to the Rocky trough one more time, this soundtrack is fun because it's basically a collection of music from all the past movies in the saga, ending with Three 6 Mafia's rap contribution to Rocky Balboa, "It's a Fight." The CD starts off with Bill Conti's "Gonna Fly Now (Theme from Rocky)," which remains so totally ...
The film Amelie depicts Paris as a magical paradise for lovers and so needed music of the utmost tenderness but with a quirky edge befitting the title character. Director Jean-Pierre Jeunet chanced upon the music of Yann Tiersen one day and bought his entire catalogue. That ultimately translated into this gloriously upbeat soundtrack largely culled from four of Tiersen's albums. Half the ...
Alan Bennett's award-winning series of six television monologues, Talking Heads, may have been first aired in 1988, but over a decade later it is still impossible to read these deeply moving and affectionate scripts without hearing the voices of the actors who played them. Maggie Smith as the alcoholic vicar's wife finding a semblance of happiness in an affair with an Indian shop ...
Ennio Morricone's Academy Award-nominated score captures the conflict between 18th-century Jesuit missionaries trying to convert the native Indians, and the slavers who want to destroy them. In keeping with the serious subject matter and epic scope of Roland Joffe's film, the score is by turns grave, lyrical, and tense. Ever inventive, Morricone mixes liturgical chorales, native drumming, and ...