Talking Timbuktu is a groundbreaking record that vividly illustrates the Africa-Blues connection in real time. Ali Farka Toure, one of Mali's leading singer-guitarists, has a trance-like, bluesy style that, although deeply rooted in Malian tradition, bears astonishing similarity to that of John Lee Hooker or even Canned Heat. It's a mono-chordal vamp, with repetitive song lines cut with ...
Out of the dozens of high-profile film composers to have appeared in the 1980s, Michael Nyman has retained his unique voice like no other. This two-disc collection proves that with generous selections from a 20-year period. From the early Peter Greenaway works (The Falls, Drowning by Numbers, Prospero's Books) through to Hollywood dabblings (Gattaca, Ravenous), ...
This 1976 effort contains some of Cooder's most compelling work and finds him re-exploring some of the fundamental influences on a musician known for remarkable eclecticism. Most notable are "Always Lift Him Up", "Smack Dab in the Middle", and a beautiful adaptation of "Stand By Me" (which includes Flaco Jimenez on accordion.) The album opens and closes with covers of Leadbelly, namely "The ...
The title, Bryn Sings Popular Classics tells it all. Here is one popular classic after another--some folk or traditional, some operatic, some religious or inspirational, some pop. The result in the throat/mind/sensibility of any other singer might be soupy, sappy or simply uninteresting, but Bryn Terfel--he of the rolling bass-baritone voice who can smoothly deliver notes and phrases at any ...
The 1997 Academy Award winner for Best Dramatic Score, James Horner's Titanic was the first soundtrack to reach the No. 1 slot on the Billboard charts in two decades; it also seemed to rival the Big Mac in sales for the year. And what can we say about Celine Dion's "My Heart Will Go On"; would "ubiquitous" suffice? Horner's combination of synths, chorale, and orchestra perfectly ...