The title, Bryn Sings Popular Classics tells it all. Here is one popular classic after another--some folk or traditional, some operatic, some religious or inspirational, some pop. The result in the throat/mind/sensibility of any other singer might be soupy, sappy or simply uninteresting, but Bryn Terfel--he of the rolling bass-baritone voice who can smoothly deliver notes and phrases at any ...
Bryars's The Sinking of the Titanic is one of the oddest and at the same time most mesmerising works to come out of this end of the century. It began in 1972 as an abstract art piece that kept on building and changing in the composer's mind. It's a ghostly tapestry of eerie echoes, distant sounds almost like whale songs, and interjected rifts representing the band that was playing even as ...
Ry Cooder has long had an interest in other people's music, from the blues and gospel of black America through classic jazz and the music of Cuba. Even by this standard, his meeting with Mohan Vishwa Bhatt is certainly a departure. He is neither a serious student of Indian music nor in any way a master of its intricacies. Yet on his improvised session (this album was recorded without rehearsal in ...
Even when he was a full-time jazz cat, Quincy Jones always had an ear for the pop aesthetic. This 1962 record does contain a good bit of, how you say, queijo in its unsubtle arrangements, but it is for the most part an accessible, entertaining, and bubbly affair. And with musicians of the calibre of Rahsaan Roland Kirk, Paul Gonsalves, Clark Terry, Jim Hall (who can't help but be tasteful), ...