Even when he was a full-time jazz cat, Quincy Jones always had an ear for the pop aesthetic. This 1962 record does contain a good bit of, how you say, queijo in its unsubtle arrangements, but it is for the most part an accessible, entertaining, and bubbly affair. And with musicians of the calibre of Rahsaan Roland Kirk, Paul Gonsalves, Clark Terry, Jim Hall (who can't help but be tasteful), ...

Manufacturer: Universal

Manufacturer: Impulse

Manufacturer: Rebound Records

Manufacturer: Mca