Out of the dozens of high-profile film composers to have appeared in the 1980s, Michael Nyman has retained his unique voice like no other. This two-disc collection proves that with generous selections from a 20-year period. From the early Peter Greenaway works (The Falls, Drowning by Numbers, Prospero's Books) through to Hollywood dabblings (Gattaca, Ravenous), ...
The only thing wrong with this compilation is the title: "Chillout" hardly seems the right word to describe such a well-balanced collection which, while it includes such relaxing music as Debussy's Clair de lune and Vaughan Williams' The Lark Ascending, also has pieces as wired as Steve Reich's exciting Nagoya Marimbas and Simon Jeffes' Perpetuum Mobile. All the ...
Moving On, the solo debut from Myleene Klass, finds the former Hearsay vocalist performing piano arrangements of contemporary pop and classical numbers. It includes the themes from Braveheart, Gladiator and The Piano plus her interpretation of the number one single by Daniel Bedingfield, "If You're Not the One".
Bryars's The Sinking of the Titanic is one of the oddest and at the same time most mesmerising works to come out of this end of the century. It began in 1972 as an abstract art piece that kept on building and changing in the composer's mind. It's a ghostly tapestry of eerie echoes, distant sounds almost like whale songs, and interjected rifts representing the band that was playing even as ...
The music here may not be as colourful as the gaudy packaging and film, but it's certainly further proof of a maturing filmic style from Nyman. Like Gattaca there's a lot of reliance on strings within the Band. It makes for a sense of melancholia that lasts the 40-minute running time. "Molly" to "Franklyn" is a gentle ride. They both feature Nyman on piano leading his endearing rolling ...