Stan Kubrick's 1987 take on Vietnam is a strange disorientating "wriggle" through film genres and human psyche alike, and the movie ends up as a kind of docu-drama road movie where the protagonists are being wasted one by one. The original score is by Abigail Mead. Admittedly she only had to come up with a few, eerie underscore themes, but they do their job, although unaided by images her ...
This CD + DVD package comes with a Special Edition Amazon.co.uk Exclusive Slipcase. John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope ...
For its fifth cinematic installment, the Harry Potter franchise gets a new composer as England's Nicholas Hooper (a usual collaborator of new director David Yates) succeeds Patrick Doyle and John Williams. The screeching electric guitar that suddenly errupts on the very first track, "Fireworks," lets the listener know that all is not quiet on the Hogwarts front. The kiddies are growing up, ...
If the commercial constraints of genre and chronic Hollywood sequelitis threaten to musically straitjacket even a legend like John Williams, the veteran playfully rebuffs such cynicism in his rich, mirthful score for this third chapter of the Harry Potter cycle. Whether inspired by a wilful desire not to repeat himself, the continued reinvention of his jazz roots that brightened his scores ...